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In the East The art of paper folding is thought to have had its beginnings in China during the first or second century A.D. By the sixth century, it was being practiced in Japan. In this small island country, paper was a scarce and treasured material. Because of this, the
practice of paper folding was originally confined to the wealthy nobility. Origami appealed to the same aesthetic which created the tea ceremony, which one scholar has described as "essentially a worship of the Imperfect, as it is a tender attempt to accomplish something possible in this impossible thing we know as life...it is moral geometry, inasmuch as it defines our sense of proportion to the universe." (Kakuzo Okakura, The Book of Tea) Increasing trade eventually led to the widespread availability of affordable paper, and origami grew into a popular
pastime among rich and poor alike. Because of their culture which emphasizes respect for the economy of nature, however, Asian practitioners of this art have never lost the impulse to save even the tiniest scraps of paper to fold into
miniature origami models. Hiden Senbazuru Orikata ("How to Fold One Thousand Cranes") was published in 1797, and is the oldest
origami publication which survives. Kan no modo ("Window on Midwinter"), the first published collection of origami models, appeared in 1845. In the West The Moors, who were Muslims from West Africa, brought paper folding with them to Spain when they invaded in the eighth century. Although Islam proscribed the making of representational figures, Islamic mathematicians and astronomers were fascinated with pattern, symmetry, and space. Their explorations included studies on the geometry of tessellation and on the folding patterns hidden within the square. These investigations of pattern were often given form in architecture.
How to make:
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