 Editorial
Reviews
Amazon.com
The characters in Lan Samantha Chang's Hunger are
starved for any number of things: acceptance, love, success, and
even dreams of home. In the title novella, a thwarted violinist
struggles with his second-tier status, forcing his dreams on his
daughters and his nightmares on his wife, the narrator.
"Some Chinese make their fortunes in America," she
realizes. "Tian and I were not among them. Perhaps we
lacked the forgetfulness that is essential to moving on."
Chang beautifully conveys the pressures on these bewildered
immigrant parents, whose aspirations are rarely matched by
reality, and their quietly rebellious children. And while Tian
remains far more frightening than likable, his long-ago escape
from mainland China instantly humanizes this paternal despot:
He struggled slowly toward the silhouette of the refugee ship,
the Sonya, his throat dried hollow with seawater, his
left arm numb from holding up the instrument. At one point, he
slowed and floated in the waves, fitted the familiar shape
against his chin, as if he were considering a melody. But he
only rested for a moment.
Though this novella is definitely the collection's standout,
Chang's other stories are equally impressive explorations of
desire and need, isolation and fear. When it comes to evoking
the smash of cultures, national and familial, this superlatively
gifted author has perfect pitch. --Kerry Fried
The New
York Times Book Review, Claire Messud
Her stories constitute a delicately calculated balance
sheet of the losses and gains of immigrants whose lives are
stretched between two radically different cultures.
The
Washington Post Book World, Helen C. Wan
...a work of gorgeous, enduring prose.... Chang's writing
is just plain good.
The
Observer [London], Natasha Fairweather, 10 January 1999
[A] dazzling debut collection [that] will leave the
reader hungry to read more by Lan Samantha Chang.
From
Booklist October 15, 1998
In this haunting fictional debut, Chang presents a
novella and five short stories limning the immigrant experience.
In "Hunger," a young Chinese couple meet and marry,
and when the husband fails to live up to his overweening
ambition to become a professional violinist, he passes on a
terrible legacy to his daughters. As his wife listens to him
continually berate their musical prowess, she realizes that his
hunger has brought their family nothing but sadness and pain.
Each of the succeeding stories picks up this theme of familial
loss: a father addicted to gambling tutors his daughter in
mathematics and then deserts the family for the lure of the
dice; a Chinese immigrant couple moves to Iowa and
systematically discards all evidence of their culture and
previous life. In spare, evocative prose, Chang meticulously
details the burdens imposed by family bonds and the cultural
confusion of immigrants. Joanne Wilkinson
From
Kirkus Reviews , September 15, 1998
A wonderfully written debut collection focusing on
Chinese immigrants to America and the troubled lives of their
children. Chang concentrates on depicting with considerable
insight and originality the fault lines of assimilation in
American society. Her tales nicely capture the sometimes blunt,
often painful, and only rarely hopeful negotiations conducted
between parents and children, and between immigrants and
natives, above this shifting ground. The powerful title novella
sounds notes repeated in many of the stories: a long-suppressed
family secret slowly corrodes a marriage, hindering the ability
of parents to communicate with their children, and slowly,
subtly confounding and wounding the children. The wives in many
of these pieces, coming from a traditional culture, are
deferential to their husbands, a form of submission that ends
for many in bitter resentment. The husbands are stern, remote,
and tend to die early, having submerged their own sorrows in a
lifelong reticence. The American-born daughters of theme unions
(sons do not figure in the stories) are uncomfortably caught
between two cultures, often angry or resentful, and sometimes
rebellious. The rich emotional resonance of these tales is
somewhat diminished when Chang departs her American settings for
China. This does not, however, much affect the pleasures
available from her somber, vivid, deeply original vision of
Asian-American life. The debut of a writer possessing a
distinctive, fresh imagination and voice. (Author tour) -- Copyright
©1998, Kirkus Associates, LP. All rights reserved.
Choice,
J.P. Baumgaertner, February 1999
With this volume Chang makes a strong contribution to the
flourishing field of Asian American fiction by women. Her style
is lucent, as direct and disarmingly simple as that of Fae
Myenne Ng, and she ranges more widely and deeply than Amy
Tan.
Milwaukee
Journal Sentinel, Michele Wucker, 8 November 1998
"Hunger" places Chang firmly among the group of
novelists whose writing about lost homelands has received high
acclaim: the Cuban-Americans Oscar Jijuelos and Christina
Garcia, the Chinese-American Amy Tan, the Haitian-American
Edwidge Dandicat, and the Dominican-Americans Julia Alvarez and
Junot Diaz....Chang is a talented writer with great
promise.
Margot
Livesey, author of Criminals
Lan Samantha Chang writes superbly about the intricacies
of exile and especially about women in exile, caught between the
present and the past, their husbands and their children. Hunger
is a wonderfully accomplished first collection from a writer
whose work we'll be reading for many years to come.
Chicago
Tribune, 24 January 1999
With clarity and deftness, Chang brings together the
forces of war and magic, ghosts and family, in these spare and
haunting tales that ask ordinary questions about that
extraordinary emotion: love.
Gish
Jen, author of Mona in the Promised Land
Hunger mesmerized me, not only with its dead-on portrayal
of immigrant life, but with its devastating depiction of the
world of music. Here in riveting detail is the relentless
struggle to produce beauty--Chang beautifully sets up for us the
mania that is love, the life that is performance, the sorrow
that is song. Many congrats on a powerful and affecting
debut.
Andrea
Barrett, National Book Award-winning author of Ship Fever and
The Voyage of the Narwhal
These radiant, heartbreaking, soul-touching tales form a
working definition of all we hunger for. Lan Samantha Chang
writes beautifully of the hungers of the heart: of desire, of
ambition; of all we might be, and aren't; of all we most want,
and can't have.
Janette
Turner Hospital, author of Oyster
Lan Samantha Chang's writing is like a Chinese brush
painting: delicate, spare, and deceptively quiet. The tumult of
emotions not expressed seethes beneath the tranquil spaces,
pressing against them, and the effect in the reader is like a
series of silent implosions. These are poignant and haunting
stories.
Harvard
Book Review, Kathleen Guico, Fall 1998
In her debut work, "Hunger," Chang
imbues...mundane items with a deeper significance, epitomizing a
man's passionate drive, a family's indelible bond, or a father's
painful betrayal. This amazing ability, coupled with Chang's
clear, crisp prose, makes the everyday world of Chinese
immigrants depicted in her short stories and novella one of
great intensity.
Booklist,
Joanne Wilkinson, 15 October 1998
In this haunting fictional debut, Chang presents a
novella a five stories limning the immigrant experience....In
spare, evocative prose, Chang meticulously details the burdens
imposed by family bonds and the cultural confusion of
immigrants.
Book
Description
An award-winning novella and stories that beautifully
illuminate the Chinese immigrant experience.
Nominated for numerous awards, including the Los Angeles
Times Book Prize and PEN Center USA-West's annual literary
award, this debut collection by a young Chinese-American writer
has garnered stellar reviews and invited comparisons to Amy Tan
and Maxine Hong Kingston. These stories reveal the lives of
immigrant families haunted by lost loves: a ghost seduces a
young girl into a flooded river; a mother commands a daughter to
avenge her father's death; and a woman speaks from beyond the
grave about her tragic marriage to a man whose own
disappointments nearly destroy their two daughters. In luminous
prose Lan Samantha Chang weaves the forces of war and magic,
food and desire, ghosts and family, into haunting tales that
signal the arrival of an exciting new writer and "a work of
gorgeous, enduring prose" (The Washington Post).
"Elegant . . . her stories constitute a delicately
calculated balance sheet of the losses and gains of immigrants
whose lives are stretched between two radically different
cultures."-- The New York Times Book Review
"Impeccable. . . . So luminous is this collection, the
result is something like a pearl."-- San Diego
Union-Tribune
Hunger won the Bay Area Reviewers Book Award for Fiction,
a Silver Medal in the California Book Awards, and the Wisconsin
Public Library Association's Banta Award
Chang's work has twice been selected to appear in the Best
American Short Stories anthology
Hunger appeared on the Wordstock bestseller list
Synopsis
With powerful intensity, Lan Samantha Chang explores the
experience of being Asian American.
From the
Publisher
"Hunger" was shortlisted for the 1998 Los
Angeles Times Book Award in Fiction.
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